Footnotes to the TV series
(After Rory confesses she did a load of laundry without asking Lorelai)
LORELAI: I’m crushed. I’m bleeding. Get me a tourniquet. Oh, no, they’re dirty ’cause Rory wouldn’t wash them with her stuff.
A tourniquet is a device used to control blood flow after an injury. Tourniquets have been especially used on battlefields.
Lorelai’s pretense at suffering deep emotional pain will soon be replaced by genuine emotional pain.
RORY: So right now under your skirt you’re wearing …?
LORELAI: Not underwear.
The episode opens with Lorelai and Rory bickering about laundry, as Lorelai confesses she’s solved the problem of not having any clean underwear by not wearing any. It’s just the start of the many sexual quips and teases which occur in this episode which centres on kissing. From Rory and her thickening needs to Taylor pulling Pilgrims out of his pocket, have fun spotting them all.
The episode title is a common phrase referring to betraying secrets, especially sexual ones. The idiom comes from the 1695 play Love for Love by William Congreve, with the quote being: “And if he needs must kiss and tell, I’ll kick him headlong into Hell”.
Kiss and Tell is also the name of a 1945 comedy film directed by Richard Wallace and starring Shirley Temple in the lead role of Corliss Archer. It was based on a 1943 Broadway play by F. Hugh Herbert, in turn based on his Corliss Archer short stories; Herbert wrote the screenplay to the film. The movie is about two teenage girls, and the trouble that ensues in their families when they become interested in boys, just as there are ructions when Rory gets a boyfriend.
As the episode comes to an end, Emily is stricken to realise that Lorelai is right – she doesn’t really know her daughter very well at all. She leaves the party so devastated that we begin to realise just how much Emily and Richard have missed out on because Lorelai left home.
In turn, Lorelai is seen looking through the window while Dean gives his birthday gift to Rory – a leather bracelet that he made himself – as Rory smiles adoringly at him. Rory has never talked to Lorelai about her blossoming romance with Dean, and Lorelai looks sad because she is being left out of her daughter’s life, as a parallel to Emily’s unhappiness and loss. Like Emily, she has to admit that she doesn’t know everything about her daughter’s life, although like Emily, she can recognise when a guy is attracted to her little girl.
We learn that Lorelai took a yoga class in 1997, probably at Miss Patty’s, and broke her leg doing a headstand. Emily is shocked to discover that, and as broken legs take several months to heal, it’s another reminder of how long Emily and Richard went between visits. Lorelai’s accident must have have taken place after Easter, and with enough time to be completely healed by Christmas.
EMILY: You smiled. You’re pleased that the ice man looked at you like a Porterhouse steak.
A Porterhouse steak is cut from the rear end of sirloin of beef (called a short loin in the US), and contain a large tenderloin of steak. They are the most highly prized of all the steak cuts.
Emily immediately picks up on the attraction between Lorelai and Luke, and is the first person in the show to openly verbalise it. Lorelai doesn’t think her mother knows her, but Emily at least recognises when a man is attracted to her daughter. That Emily knows all about lap dances and can talk about her daughter giving one shows a raunchy side to her character we have not seen before – it’s eyebrow-raising.
The adult guests at Rory’s birthday party swap stories of Rory as a child. Babette and Morey remember her thinking a toadstool ring was a fairy ring, and waiting for the fairy to arrive. Lorelai says that Rory was “about ten” at the time, but later we learn that Lorelai and Rory didn’t move next door to Babette and Morey until Rory was eleven.
Although eleven is about ten, it’s pretty old to still believe in fairies. This charmingly naive fairy-lover is hard to tally with the intellectually precocious child-Rory we keep hearing about, but does show that the brainy Rory has an imaginative side.
We also learn that Rory took ballet lessons from Miss Patty, and that although she worked hard at her dancing, she wasn’t very good. Only Miss Patty seems to think she had any talent and is disappointed that she stopped. This reminds us of Amy Sherman-Palladino, who trained in ballet. Unlike Rory, she could have turned professional, and Miss Patty’s sadness is a parallel to Amy’s mother’s disappointment when she decided to pursue writing rather than ballet as a career.
This 1967 ballad by Louis Armstrong plays while everyone is downstairs at Rory’s second party, trading Rory stories, and then continues as Lorelai and Emily talk upstairs. Written by Bob Thiele and George David Weiss, it was not at first a hit in the US because the record company didn’t promote it, but went to #1 in the UK and was successful around the world.
When it was re-released in 1988 after featuring in the film Good Morning, Vietnam, it went to #32 in the US, and was #7 on the adult contemporary charts. It has become a pop standard, with many cover versions, and often used in film and television soundtracks.
Rory tells Richard he can do a quiz in Cosmopolitan which will tell him whether he is a summer or a fall. Rory is referring to a popular theory of colour analysis, whereby matching those colours which fit a person’s skin tones are divided into the four seasons.
Although colour analysis had been part of fashion and beauty since the 19th century, the theory of linking them with the four seasons came in around the mid-twentieth century. It became prominent in the 1970s, and was most popular during the 1980s.
The Annotated Gilmore Girls 