Tag: Oh Really?

“It’s tradition”

RORY: It’s tradition.
DEAN: I don’t believe this.
RORY: It’s true. My mother and I have been doing this every year since we moved here.

We now know that Lorelai has been taking part in the Bid-a-Basket Fundraiser since 1987, even though she was a maid at the inn at the time, and had only been in Stars Hollow for a few months. It seems she became heavily involved in the town almost immediately.

Rory says she has also been taking part since she arrived in town too, but she was only a toddler. Perhaps she means that she accompanied Lorelai on her picnic lunch dates, as a sort of chaperone to make sure things could never get too romantic, and because Lorelai either didn’t want to leave her with a babysitter, or had no babysitting options.

It’s unclear at what age Rory was deemed old enough to take part in the fundraiser with her own basket, but most likely not until she was sixteen and had a boyfriend to buy her basket. That would be since the previous year, 2001. So Rory’s grand “tradition” has probably been going for a whole twelve months.

It’s also “tradition” for the woman to bake a delicious picnic lunch, but Lorelai and Rory don’t bother sticking to that tradition. There’s so many places that Dean could poke holes in Rory’s narrative or call her out, but he never does.

Ghostbusters

LORELAI: Oh, hey, one of them’s seen Ghostbusters 124 times.

Ghostbusters is a 1984 supernatural comedy directed by Ivan Reitman, and written by Dan Akroyd and Harold Ramis. It stars Akroyd, Ramis, and Bill Murray as a trio of eccentric parapsychologists who start a ghost-catching business in New York City.

The film was released to critical acclaim, becoming a cultural phenomenon. It was the #2 film of 1984, one of the most successful comedy films of the 1980s, and the highest-grossing comedy ever at the time. It’s theme song, “Ghostbusters” by Ray Parker Jr, was also a #1 hit. It is considered to be an iconic 1980s movie, and one of the most important comedy films ever made.

With its dedicated fan following, it launched a multibillion dollar multimedia franchise, including an animated television series and its sequel, video games, board games, books, comics, clothing, music, and haunted attractions.

The 1989 sequel Ghostbusters II was less successful. It was rebooted in 2016 with an all-female main cast, and amusingly, Melissa McCarthy, who plays Sookie, was chosen as one of the stars of the film; it was a commercial failure and received mixed reviews. A second sequel to the 1984 film, Ghostbusters: Afterlife, was released in 2021.

Watching the film 124 times between 1984 and 2002 doesn’t even seem that out there – it’s less than once a month. As usual, Lorelai’s obsessions with films are seen as cool and quirky, while anyone else’s are sad and pathetic!

Bid-on-a-Basket Fundraiser

The show opens the day before the Stars Hollow Bid-on-a-Basket Fundraiser, with signs telling the viewer that bidders can win themselves a delicious home-cooked picnic lunch, that it’s held on Sunday at midday, and that all proceeds go to the Stars Hollow Retirement Home (the signs are sponsored by Doose’s Market). Across the street at the market, baskets are on sale, and more signs tell us that it’s also known as the Bid-on-a-Basket Festival. We can see a woman leaving with her new basket.

Inside the market, Lorelai and Rory are shopping for their own baskets, but of course they don’t intend to cook a delicious home-cooked picnic lunch (or even make Sookie do it for them, like they did for the bake sale). They’re just going to put old leftovers in their baskets – as we now know they keep leftovers for a long time, it’s sounding like a Salmonella Festival for anyone bidding on their baskets!

These type of fundraisers are called “box socials” and were common in the 19th century and 1900s, with women cooking the food and packing it into a box or basket, and men bidding for them. Although it was meant to be a “blind” auction, married and attached women would let their husband or sweetheart know which basket was theirs, so they could bid on it – bidding on a woman’s basket was a way to let her know you were interested in more than her home cooking.

Box socials are also low-key dating auctions, with the winning bidder not only getting the basket, but the chance to share the picnic lunch with the lady who provided it. A lunch basket auction of this type features in the 2001 YA novel Flipped by Wendelin Van Draanen (in this case, it is a high school boy who provides the basket, and girls bid on the chance to have lunch with him). This seems like a bit of a coincidence, or perhaps merely zeitgeist.

Although Flipped is set in the 1990s, when it was made into a film in 2010, they set it in the 1960s, as if that scene was deemed too old-fashioned to be believable. They must have agreed with Lorelai, who complained that the concept was “backwards”. In fact there has been a mild resurgence in box socials since the 1990s.

The show never makes it explicit, but according to the timeline, the Bid-on-Basket Fundraiser seems to be held in mid-February, and it would make sense if it was the Sunday after Valentine’s Day. That’s a clear connection with love and romance, although it isn’t practical at all to have a picnic in winter! In real life it would be freezing.

Richard’s Criticisms of Lorelai

She drinks too much coffee

She doesn’t eat grapefruit with breakfast (she has a banana instead)

She doesn’t wear sensible shoes to work

She doesn’t dress appropriately for work (how does Lorelai not have a jacket? It’s winter!)

She didn’t have any tablecloths in the dining room due to an issue with her linen delivery

She spoke flirtatiously to her linen delivery guy in order to get better service

She got out of the car before it had completely come to a stop

She ordered Chinese food that wasn’t authentically Chinese

She buys more food for dinner than she can eat in one sitting (they eat leftovers)

She pushed Rory into wanting to go to Harvard without even investigating Yale

She allowed Rory’s seventeen-year-old boyfriend to rebuild her an old car

A few of Richard’s criticisms are reasonable. The ones about Rory are instigated by genuine concern for his granddaughter, and wanting her to be safe. Many of them are based on an old-fashioned view of the workplace, and a complete lack of understanding of the hospitality industry and female management styles. Some of his criticisms are ridiculous and extremely petty.

None of them are appropriate for him to share with Lorelai on a day that he is coming to visit her home and workplace as her guest. She is a woman in her thirties with a teenage daughter, her own home and car, and a good job. No matter what Richard’s opinions are, he shouldn’t berate Lorelai for her lifestyle choices, and especially not in front of her colleague, Michel.

The show focuses especially on Lorelai’s fraught relationship with Emily, but Richard and Lorelai certainly have their issues.

“Nice picture”

[Rory walks past the video store, which her picture is in the window. As she stares at it, Jess walks over to her.]
JESS: Nice picture.

Oh, very smooth. We already know how much you like Rory’s pictures, Jess!

Rory has been named Citizen of the Month in Stars Hollow, which is why her photo is up in the window of the video store. It shows her in her Chilton uniform against a blank background, and may be from school photo day.

Rory wonders where Taylor and Kirk got the photo from. Good question!

Censorship in a Small Town

PARIS: Our story. Censorship in a small town, it’s perfect.
RORY: Paris, stop it. You know I don’t believe in censorship.
PARIS: Even better, small town minds run amok.

Paris is right – this is actually an interesting story, showing how in small towns, a tiny minority of people (Kirk and Taylor) can wield enough power to crush free speech entirely. Rory says she doesn’t believe in censorship, but she literally asked for an R-rated DVD to be put in a different section of the video store. That’s censorship!

“Tape cover that’s kind of mature”

RORY: Hey Kirk, there are a couple of little kids over there and they’re, uh, looking at this tape cover that’s kind of mature. You might wanna put that stuff on a higher shelf or something.
KIRK: Mature? How mature?
RORY: Uh, it’s a half-naked woman just standing there.
KIRK: Is she a blonde?

The video that the boys are looking is Showgirls, a 1995 erotic drama directed by Paul Verhoeven and starring Elizabeth Berkley and Kyle MacLachlan (who played Dale Cooper in the 1990-91 David Lynch television series, Twin Peaks, a secret touchstone for Gilmore Girls). Showgirls is a about a street-smart drifter who goes to Las Vegas and climbs the seedy ladder from stripper to showgirl.

It was the first, and so far, only, NC-17 film given wide release in mainstream cinemas. Critically panned, it was a box office bomb, but a success on the home video market, despite being named as one of the worst films ever made. It’s often cited as a guilty pleasure, a camp classic, or a “so bad it’s good” film. It was made into a stage musical in 2013. (Amy Sherman-Palladino commented on the film Glitter, “It was no Showgirls“.) Some critics now believe it is a brilliant satire.

The video is correctly catalogued under Drama by the video store, and Showgirls was cut to an R rating for video store rentals. R rated videos were not kept in a separate section from other films, so Rory comes across as more of a meddlesome prude than a concerned citizen. The cover doesn’t actually show anything very salacious – just a leg and a tiny bit of side boob.

The woman on the cover is actually a blonde.

“No more room”

EMILY: So I went inside and looked around and it occurred to me that there’s a very limited space there … Now of course there’s a slot open for me and Richard and you and Rory, but after the two of you – that’s it. No more room for anyone else.

Apparently the Gilmore family mausoleum is now almost full, and only has four spaces left. Emily is very concerned about Lorelai getting married, because there would be nowhere for her husband, but she never seems to consider that Rory could very well marry one day, and married or not, both of them are capable of having children (or further children, in Lorelai’s case). Where they are meant to go is never even discussed, and it really sounds as if the Gilmores’ mausoleum has pretty much seen its quota filled by now.

Lorelai suggests that she and Rory could be buried in the same space – a callback to them sharing a bed in the potting shed, and a sign that she really sees Rory as an extension of herself. Rory pleads for more boundaries by saying she’d prefer her own space. Even in death, Lorelai wants to keep Rory enmeshed with her, rather gruesomely.

Emily says the cemetery offered them the opportunity to buy an “annex” for extra family members. I don’t think this is an option in real life, although they have two public mausoleums at Cedar Hill where future generations of dead Gilmores could be stashed. Richard’s mother Trix dies during the series run, and surely other elderly Gilmores as well – how long are those extra four spaces going to last, and how long can they keep kicking existing Gilmores into the annex, which is also of finite space?

In A Year in the Life, Richard Gilmore dies and is buried in a plot with a headstone, not in a mausoleum. Maybe they really did run out of space?

Lorelai Apologises to Emily

Emily goes to to the kitchen to get more bread (wherever is the cook or the maid during these dramatic kitchen scenes? Do they just happen to be on a break in the middle of a meal, or in the toilet? Is there another food preparation or storage room somewhere? Even weirder, are they just out of shot and actually present the whole time?).

Lorelai apologises to Emily for not trusting her motives in helping, saying that she isn’t used to people doing things without strings attached. Emily immediately realises that Lorelai is talking about her and Richard, but Lorelai continues thanking her, saying she didn’t have anywhere to turn and was all out of ideas, and that she doesn’t know what she would have done without Emily. Hm, maybe she needs to thank and apologise to Rory as well now?

Emily thanks Lorelai, and then gives her parting shot – with a wicked smile, she tells her the DAR will be holding all their meetings at the Independence Inn from now on. She leaves, seemingly without the bread she supposedly came in for. Emily wasn’t joking either. A year later, there is mention of the DAR meetings still being held at the inn.

Of course, the DAR would have been free to book the Independence if they wanted to anyway, and Emily has organised things so that the inn Lorelai manages gets more business. It’s up to the viewer whether she has really taken revenge on Lorelai, or is trying to give her even more help. Or both!

Note how beautifully this scene is composed and shot, and that here is the colour red again to indicate strong emotion. Lorelai in red with a red light on her hair, vase of red flowers, red strawberries on the cake, little red desserts, red grapes, a red pepper in the fruit bowl (slightly oddly). Only Emily remains in cool blue and silver, her emotions under control.