“The doggy version of you”

RORY (reading from card): “Buttercup is a special dog. She’s extremely skittish and tends to react badly towards blonde haired females, brunet males, children of either sex, other animals, red clothing, cabbage, or anyone in a uniform.”
LORELAI: (to Luke) Hey, we just found the doggy version of you.

Naturally Lorelai would be attracted to a dog version of Luke – who is of course doggedly loyal to Lorelai.

The dog Lorelai eventually gets is even more neurotic and weird than Buttercup.

“Formerly known as”

RORY: Fine, forget it. Should I put your name on Grandma’s present?
LORELAI: Yes, sign it the inn keeper formerly known as her daughter.

Lorelai is making a reference to the American pop singer Prince (1958-2016). In 1993, after a battle with Warner Bros., who refused to release his huge backlog of music at a steady pace, Prince changed his name to a symbol which combined the symbol for male with that for female, and which he later copyrighted as Love Symbol #2 – it had already featured on his 1992 album The Love Symbol Album (it has to be called that as the actual name cannot be said).

Because Prince’s new name was unable to be spoken, he was referred to as “The Artist Formerly Known as Prince” until May 2000, when he reverted to his real name of Prince (he was born Prince Nelson).

Lorelai is saying that her relationship with her mother has come to a complete and bitter end, much like Prince’s relationship with his record label – although in fact Prince was to re-sign with Warner in 2014.

Lorelai refers to herself as an innkeeper rather than an executive manager because she is still thinking of the Christmas pageant, where the innkeeper refuses entrance to Mary and Joseph, forcing them to spend the night in the stable, where Jesus is born. She likewise doesn’t feel like admitting her family into her life.

The Metamorphosis

This 1915 absurdist novella by Czech author Frank Kafka is the book that Rory buys Dean for Christmas.

The story is about a travelling salesman named Gregor Samsa who wakes one morning to find that he has been transformed into a large and verminous beetle-like insect, becoming a disgrace to his family and an outsider in his own home. Both harrowing and comical, the book is a meditation on human guilt and isolation. Translated into English in 1933, The Metamorphosis is one of the most influential literary works of the twentieth century.

Rory believes that the book is a “romantic” present. Lane quite rightly tries to talk her out of this, describing the book as a “confusing Czechoslovakian novel”. She urges Rory to consider what Dean will think of the present, and says that she is giving Dean something that she would like, comparing it to Dean giving Rory a football for Christmas.

Lane’s counsel is sound, and she is hinting that once again Rory is using literature to keep others at an emotional distance, since she identifies the potential Christmas gift as saying “let’s be friends”. It’s a genuinely terrible present for Dean, and shows that Rory is still trying to turn her boyfriend into someone he isn’t.

We never discover if Rory took Lane’s advice or gave the book to Dean anyway. At the end of the scene she sounded unconvinced but also unsure, so you could argue it either way.

Rory’s idea of a book by a famous Czech author was probably inspired by her grandfather’s recent trip to Prague. In the last episode Emily told her that Richard was going to bring her back something special, and my bet is that he brought her something from the gift shop at the Kafka Museum, probably a book (possibly even this book). Rory may have thought that since she loved getting a book by Kafka as a present, Dean would as well.

Rory’s attraction to The Metamorphosis is obvious: like Gregor Samsa, she feels that she has become an object of disgust to her family, and is likewise suffering from feelings of intense shame and isolation – she is not speaking to her mother, and has not even spoken to Dean since they overslept at Miss Patty’s.

The Metamorphosis begins with Gregor Samsa oversleeping, and then finding he is trapped in a waking nightmare without reason or explanation. We can be sure that this is exactly how Rory feels, and the ending where Samsa voluntarily dies rather than burden his family any further shows just how deep her feelings of depression are. Quite possibly Rory has wished herself dead.

Rory might be playing her situation for laughs by making jokes about The Miracle Worker and Narcolepsy Boy, but make no mistake, she is suffering horribly. Like The Metamorphosis, there is both comedy and misery in equal measure.

By giving Dean the book, Rory was hoping to show him exactly how she feels; the “romantic” part of the present is her sharing her deepest emotions and fears with Dean, reaching out and laying herself completely bare to him. Unfortunately, Lane is right, and Dean would have no way to interpret it as anything other than a strange, confusing book about a big bug.

Legos

LANE: I mean, you seem to have this really great life going and I don’t really fit in there.
RORY: That’s not true, you totally fit in.
LANE: Yeah?
RORY: I’m talking Legos.

Lego is a line of plastic construction toys manufactured by The Lego Group, founded in Denmark in 1949. Lego pieces are interlocking plastic bricks, figurines and various doo-dads that can be fit together in a variety of ways, taken apart, and reused again and again. They are one of the most powerful brands in the world.

(It is usual in the US to refer to the plural Lego bricks as Legos, which sounds grammatically wrong in the rest of the world).

Rory is implying not just that she and Lane fit together tightly like Lego bricks, but that their relationship is capable of change. Life might break them apart, but they will always find new ways to re-assemble their friendship.

Mother and daughter, or best friends?

Lorelai has to re-negotiate her status as “cool mom” during this episode, as she wonders whether Rory having a boyfriend will make a difference to their relationship. After suffering jealousy of Dean, inviting Dean on a date with she and Rory, letting Dean and Rory spend time alone, and then coming down as the heavy parent on Dean, by the end of the episode Rory is her best friend again who tells her everything – including describing kissing with her boyfriend.

We may well be wondering if there’s anything at all that Rory can handle on her own without her mother’s help, as school, homework, and even dating require Lorelai’s presence.

Amazing Woman

LUKE: You’re an amazing woman.
LORELAI: Thank you for noticing.

The scene in the grocery store between Luke and Lorelai is the first time we have seen them really connect, and talk together seriously as friends. For the first time, the idea of them becoming a couple seems more of a reality, and something we can imagine.

“My pod’s defective”

TAYLOR: You have lived in Stars Hollow for a long time, young man. It’s time you became one of us.

LUKE: Sorry, I guess my pod’s defective.

A reference to the 1956 sci-fi horror film Invasion of the Body Snatchers, directed by Don Siegel and based on the novel The Body Snatchers by Jack Finney. In the film, residents of a Californian town discover that they are being replaced with exact duplicates of themselves, grown from giant seed pods as part of an alien invasion. The duplicates are devoid of emotion and have no sense of individuality. Ignored by critics on its release, this 1950s political allegory is now considered a classic sci-fi film.

The fact that both Lorelai and Luke use 1950s sci-fi films as a reference in their conversation is a sign of their compatibility. We earlier saw Luke is concerned for the environment, and the environmental message of Invasion of the Body Snatchers, as the pod people are there to use up resources and destroy ecosystems, may have appealed to him.

Parallel Mothers and Daughters

As the episode comes to an end, Emily is stricken to realise that Lorelai is right – she doesn’t really know her daughter very well at all. She leaves the party so devastated that we begin to realise just how much Emily and Richard have missed out on because Lorelai left home.

In turn, Lorelai is seen looking through the window while Dean gives his birthday gift to Rory – a leather bracelet that he made himself – as Rory smiles adoringly at him. Rory has never talked to Lorelai about her blossoming romance with Dean, and Lorelai looks sad because she is being left out of her daughter’s life, as a parallel to Emily’s unhappiness and loss. Like Emily, she has to admit that she doesn’t know everything about her daughter’s life, although like Emily, she can recognise when a guy is attracted to her little girl.

“How long have you been seeing him?”

Emily immediately picks up on the attraction between Lorelai and Luke, and is the first person in the show to openly verbalise it. Lorelai doesn’t think her mother knows her, but Emily at least recognises when a man is attracted to her daughter. That Emily knows all about lap dances and can talk about her daughter giving one shows a raunchy side to her character we have not seen before – it’s eyebrow-raising.