Footnotes to the TV series
RORY: Whack you with a cannoli? Oh, because he left the gun and took the cannoli.
In another scene of The Godfather, a Corleone bodyguard named Clemenza (Richard S. Castellano) is asked to kill Paulie (John Martino), a perceived weak link in the crime family. As Clemenza leaves after performing his task, he tells his accomplice, “Leave the gun. Take the cannoli”. This scene takes place in a car on a deserted road, the cannoli was food packed for the trip.
LORELAI: Hm. Or we could sit in the corner – you know, the Mafia table so that no one can come up behind you and whack you with a cannoli.
Cannoli are Italian pastries consisting of tubular pastry shells filled with a sweet, creamy, often ricotta, filling. In Italian, the singular of the word is cannolo, but in English, people usually say “a cannoli”, like Lorelai does.
The dessert dates to the Middle Ages, and is believed to be Sicilian, traditionally from Palermo and Messina. Historically, they were a treat for Carnival, before Lent, but are now enjoyed year-round.
LORELAI: Hm. Or we could sit in the corner – you know, the Mafia table so that no one can come up behind you and whack you with a cannoli.
A reference to the 1972 film The Godfather, previously and frequently mentioned. There is a famous scene in the film where the young Michael Corleone (Al Pacino) becomes a made man (full member of the crime family) by taking out a rival mob boss and a corrupt chief of police in an Italian restaurant.
RORY: Tempting. Do you know that on a clear day you can see all the way to the garbage cans behind Al’s Pancake World?
A possible allusion to the 1970 comedy-drama musical film, On a Clear Day You Can See Forever, directed by Vincente Minnelli, and based on the 1965 stage production of the same name, with lyrics by Alan Jay Sherman and music by Burton Lane. It stars Barbra Streisand, a favourite of Lorelai’s, as a woman who undergoes hypnotherapy to give up smoking, but in the process discovers she is the reincarnation of a seductive Regency lady.
The film received mixed reviews, but its reputation has endured over time.
LORELAI: I don’t know. Um, how ‘bout this table with it’s unobstructed westward view of the wide cosmopolitan expansive Klump Street?
Lorelai seems to be saying that Luke’s is on Klump Street. I presumed that the street that Luke’s is on is Main Street – Luke mentioned Main Street, and it looks like the main street of town, as it’s where major businesses are, like the market. If there is a bigger, more important Main Street somewhere, we never see it, which seems odd.
It’s just possible she means that you can see the street which crosses it, as Luke’s is on a corner, and that this is Klump Street. If so, that’s the street Weston Bakery is on. Klump Street is the location of the giant slinky.
In fact, due to the frosted glass, curtains and blinds on the diner windows, customers don’t actually seem to have a great view of anything much from the tables at Luke’s.
LORELAI: But my question is, how did that happen? How was it that suddenly everyone in the world was saying ‘music has charms to soothe the savage beast’ when it was written breast?
“Musick has Charms to sooth a savage Breast” is a famous quote from William Congreve’s 1697 play, The Mourning Bride, previously mentioned. It means that listening to music can help calm angry and upset emotions.
For some unknown reason, it became popularly misquoted as “Music has charms to soothe a savage beast”. It doesn’t even make sense – if you’re being attacked by a wild tiger, whistling show tunes won’t help in the slightest.
Rory got a pager message from Dean while she was at dinner, but instead of phoning him back right away, she called Lane’s house (Lane didn’t come to the phone). When she gets home, Lorelai goes for a shower, telling Rory to find a movie for them to watch. It was after 9 pm when they were at dinner, and they talked more and had a half hour drive home, so it must be around 10 pm by now, yet they’re planning to watch a movie as well!
Instead of getting a movie, or phoning Dean back, Rory calls Jess. When we see him, he is reading The Fountainhead, as instructed by Rory. He is also playing with Rory’s bracelet, gazing at it softly with a misty smile. The phone call, ostensibly about literature, is very playful, and this episode marks the beginning of Jess and Rory’s mutual flirtation.
And Rory is still clearly very annoyed by Dean going to Lorelai when they had an issue in their relationship, because she isn’t returning his calls.
LORELAI: I got spooked. I know it violates the fabulous cool mom clause we’re supposed to have going but I did and I’m sorry.
After talking to Emily, Lorelai goes straight to Rory to apologise for not being a “fabulous cool mom” about Jess. Even though she’s concerned about Jess, she is going to trust Rory’s judgement. She only asks that Rory be careful, and cut Dean some slack for getting freaked out.
Is Lorelai really neutral, when in her view, Jess needs care and good judgement to proceed, even if he is behaving well, while Dean needs understanding for any of his bad behaviour?
LORELAI: But I’m asking you to be careful … ‘Boy in the plastic bubble’ kind of careful.
Lorelai is referencing the 1976 film, The Boy in the Plastic Bubble, previously discussed.
EMILY: Don’t back down Lorelai. You took a stand and you are completely in the right here. You absolutely must keep her from that boy. If you need to change her curfew, lock her up, throw away the key, whatever it takes to make sure she doesn’t go astray – you do it. Her judgment cannot be trusted here. She’s a young girl and knows nothing. You are her eyes and her ears and her brain for as long as it takes to make sure she doesn’t make any ridiculous choices in her life.
To Lorelai’s horror, when Emily learns about the problem between Lorelai and Rory, she completely takes her daughter’s side, saying that Rory is a young girl with no experience of the world, and it is Lorelai’s job to make all major decisions for her, until she is old and wise enough to choose for herself. Lorelai has to listen to Emily agree with her that Rory needs to be kept away from Jess, and to realise (again) that she isn’t as different from the controlling Emily as she thought.
The Annotated Gilmore Girls 