AC/DC and Highway to Hell

LORELAI: Never been in this car for any extended period of time without playing AC/DC … I need my Highway to Hell.

AC/DC are an Australian rock band, formed in 1973 by brothers Malcolm and Angus Young. They have sometimes been identified as heavy metal, hence the heavy metal-loving Lorelai being a fan, but they see themselves as rock and roll, and are classified as a hard rock/blues rock band. Their first internationally released album was High Voltage in 1976, while For Those About to Rock We Salute You (1981) was their first #1 album in the US. Their most recent album from Lorelai’s perspective is Stiff Upper Lip, released in 2000 and well received commercially and critically. AC/DC have sold more than 200 million records worldwide, making them one of the biggest-selling music artists. Their 1980 album Back in Black is the best-selling album by any band in the world. Regarded as one of the best hard rock bands of all time, they were inducted into the Rock and Roll Hall of Fame in 2003.

Highway to Hell is the lead single and title track from AC/DC’s 1979 album, written to reflect the hardships of constant touring and life on the road. Lead singer Bon Scott, his talent at its peak, was found dead just six months after the song was released, as if to underscore the toll that such a life takes on one. Highway to Hell went to #47 in the US, and #24 in the UK; it went to #1 in the US on re-release in 1992, and in 2012 was the #1 song on digital download. It is regarded as a classic rock song.

Lorelai and Rory’s Road Trip

We see Lorelai’s road trip plan in action – she is driving aimlessly around, and neither she nor Rory know where they are. It’s an obvious metaphor for how lost Lorelai feels at the current moment, and how she has no plans on how to navigate her life or move forward from here.

It’s also an opportunity to show Lorelai and Rory’s different outlooks on life, with Rory becoming increasingly alarmed and panicked at their lack of planning and direction. Interestingly, Lorelai makes an offhand remark about driving into the Pacific Ocean of the west coast rather than the Atlantic Ocean of the east coast – have her thoughts naturally wandered to Christopher in California? Or perhaps it’s a sly meta-comment about the road trip obviously being filmed in California rather than New England.

Red Light

[Early the next morning, Lorelai and Rory are in Lorelai’s jeep driving through Stars Hollow.]
LORELAI: We’re almost there and nowhere near it. All that matters is we’re going.
RORY: We’re practically gone already.
LORELAI: Look out world.
[They stop at the red light and stare at it, waiting for it to change.]

There have been so many mentions of great American journeys in Gilmore Girls, from On the Road to Huckleberry Finn to Thelma and Louise, that it seems in tune with the show’s theme for Lorelai and Rory to hit the road at some point. Their conversation is even vaguely reminiscent of a famous exchange from On the Road:

““Sal, we gotta go and never stop going ’till we get there.’
‘Where we going, man?’
‘I don’t know but we gotta go.”

That urge towards the journey and not the destination is the same one that is driving Lorelai away from her home.

As luck would have it, before they even leave town, they get stuck at the new traffic light, which is timed to come on even if there is no other traffic on the road, and will stay on until the oldest and feeblest person in Stars Hollow can safely get across the road. It’s symbolic of the way that it will always be difficult for them to leave Stars Hollow, even temporarily. There is something in the town which holds them captive to some extent. Scott Patterson’s I’m All In podcast makes note of the fact that while they are trapped at the lights, the door to Luke’s Diner is already open … perhaps a hint of where Lorelai’s future lies.

This is the literal “red light on the wedding night” alluded to in the episode’s title, although strictly speaking it isn’t the wedding night, but several days before the wedding. Symbolically though, it means that Lorelai has put a stop to her wedding going ahead.

Lorelai Announces a Sudden Road Trip

After talking to Luke in the back yard and receiving the chuppah, Lorelai rushes indoors and suddenly tells Rory to pack – they are going on a road trip. Rory points out that Lorelai and Max are supposed to be getting married the coming weekend, less than a week away.

To surely nobody’s surprise, Lorelai begins crying and says she can’t marry Max. The reason? Because she didn’t want to put on her wedding dress every night, as a besotted Emily did before marrying Richard. Clearly her mother’s story affected her deeply, much more so than she let on at the time. While Emily’s story made Sookie and Rory feel more loving toward their boyfriends, it demonstrated to Lorelai that she didn’t really love Max at all.

Rory instantly accepts Lorelai’s explanation without further discussion, and begins on the practicalities of packing. Her way of showing support is to not add further to Lorelai’s unhappiness by making her feel guilty, and to begin focusing on what Lorelai wants to do instead. If running away is Lorelai’s plan, then Rory will go along with it unquestioningly.

Although Lorelai has known for some weeks at least that her wedding to Max cannot take place, it was her mother who helped her crystallise the reasons for it (and the phone call to Christopher gave her further ammunition against Max).

However, it was Luke giving his blessing to the marriage and apologising to her for his behaviour towards Max that seems to have been the catalyst for her admitting she couldn’t get married. Lorelai was pushed into Max’s arms when Luke reunited with Rachel, and she seems to have got engaged partly to spite Luke when he tried to put her off the idea.

With Luke now backing down and saying he will support her as a friend, all the impetus seems to have been lost, and she has no reason to marry Max. Luke finally discovered the way to make Lorelai change her mind about marrying Max.

The Optimist’s Daughter

Rory is reading this book on her bed when her mother bursts in and says they are taking a road trip.

The Optimist’s Daughter is a 1972 short novel by American author Eudora Welty, first published as a long short story in The New Yorker in 1969. The plot is about a woman who travels to see her dying father, reading to him from Dickens. The trip back to her home town to bury her father provides a chance for her to explore the complex emotions evoked by her loss and memories. It won The Pulitzer Prize for Fiction.

The novel is a comment on Rory’s situation – Lorelai is not only an optimist by nature, she is being optimistic in hoping a road trip will magically fix everything. The trip back to the home town reveals the importance of Stars Hollow in Rory’s life as a source of comfort, memory, and understanding. The novel also examines the woman’s stepmother, shown to have been not the right person for her father. This is a hint that Max is likewise not the right person for Lorelai, and she was being too optimistic in thinking a marriage between the two of them would work out.

John Lennon and Yoko Ono

LORELAI: And people can evolve together, don’t you think?
LUKE: Maybe.
LORELAI: Yoko and John Lennon did. They just got closer and closer as the years went by. At the end, they had the same face.

John Lennon (1940-1980), mentioned previously and frequently, was an English singer, songwriter, and peace activist who was a founding member of The Beatles, the most commercially successful band in the history of popular music. He and his second wife Yoko Ono, previously discussed, were married in 1969, with the marriage lasting until his untimely death.

Chuppah

LORELAI: What is that?
LUKE: Oh, it’s a chuppah.
LORELAI: A what?
LUKE: A chuppah. You stand under it, you and Max. It’s for your wedding.

A chuppah is a canopy which a Jewish couple stand under when they are married. It’s usually a cloth or sheet (sometimes a prayer cloth) held up by four wooden poles. In Orthodox Judaism, there is meant to be open sky above the chuppah, just as is planned for Max and Lorelai’s garden wedding. The chuppah represents the home the couple are making together, which will always be open to guests.

Lorelai wonders whether it would be inappropriate for she and Max to have a chuppah, and gains reassurance from Luke on that point. Luke is actually correct: there is nothing specifically Jewish about getting married under a canopy (other religions do it too), and it doesn’t necessarily have to be religious in nature. These days there’s a bit of a trend for non-Jewish canopy weddings, and as long as it isn’t actually called a chuppah it doesn’t usually cause offence.

The chuppah is a gift from Luke to apologise for his behaviour towards Max. He knows he has been bit of a jerk about Lorelai’s wedding, and wants her to know he is still there for her as a friend. At the end of the scene, Luke and Lorelai are shown standing together under the chuppah as a sign that they will be married one day (when it happens in A Year in the Life, it will take place under a “canopy” beneath the sky, but not the chuppah).

It isn’t all that believable that the Luke we have got to know so far would actually make a chuppah for a non-Jewish wedding after getting the idea from a book (how did he know how to pronounce the word from reading it in a book?), and it seems awfully contrived.

Rory Expresses Concern Over Lorelai

When Lorelai gets home from work at the inn, Rory says that she got a call from a Christopher that day, and she knows that Lorelai rang him from her bachelorette party. She wonders why Lorelai would have used her bachelorette party to phone Christopher, and why Lorelai would have let them think she was actually calling Max at the time. Lorelai pleads drunkenness.

Rory lets Lorelai know that she only wants her to be happy, and questions whether she truly is happy to be marrying Max. Lorelai doesn’t answer directly, only saying, “Don’t I look happy?”. Rory’s careful response seems to imply that she is also having doubts about Lorelai’s wedding to Max, or wonders if Lorelai is having doubts.

Both Max and Rory have left an opening for Lorelai to say what is on her mind, and Christopher has given her a list of reasons to dump Max as “unworthy”. It can only be a matter of time before Lorelai breaks.