This 1997 song by Yo La Tengo plays at the very end of the episode, as Lorelai and Rory run towards each other from opposite sides of the street. It creates a “bookends effect”, as this was the song that played at the end of the first episode of the season, and we are now watching the final moments of the last episode of the season.
It repeats the theme of safety and security, as Stars Hollow itself becomes a sanctuary. The final thing we see is the gazebo in the town square, the heart of the town and a sacred place dedicated to love. Its twinkle lights echo the stars above who gave their name to the town, and lead lovers back into each others’ arms.
Lorelai and Rory run towards each other, like parallel lines which finally cross at some point due to the curvature of the earth. They excitedly jump up and down, both with wonderful news to share. Rory has got back with Dean! Lorelai has had a proposal from Max! Their dating lives converge while both are at their peak, and all is joy, all is light, all is love. The promise of Stars Hollow is fulfilled, and lovers are reunited at last.
This is an oddly complete resolution to a season, which ties everything up into a neat package and gives a fairy tale happy ending to both our protagonists. The reason is that they were not sure if Gilmore Girls would be renewed for another season, and if if this was to be last episode ever, they needed it to also be a possible finale of the show. Of course the show was renewed, and from then on season finales tended to end on cliffhangers, leaving many questions unanswered.
LUKE: You get a promotion?
LORELAI: Oh yeah, they made me head salesman of the Northwest Territories. No, I run an inn, there’s no place to promote me too.
The Northwest Territories is the second-largest territory in Canada, with the current borders established in 1999. The northern part of the territory is in the polar region, while the southern part is subarctic, and is one of only two areas of Canada where Indigenous people make up more than half the population (it is very slightly more than 50%). Its capital is Yellowknife, which has around 20 000 people.
Because Gilmore Girls was first filmed in Canada, affectionate references to the country are made from time to time.
After receiving her daisies, Lorelai walks past the Town Troubadour, who is singing this 1998 song by Grant Lee Buffalo. The rival Troubadour walks by, and the Town Troubadour gives a little nod, indicating that he can join in, which he does. Hence the two troubadours mend their quarrel – this episode is all about ending arguments and bringing people together.
Everybody Needs a Little Sanctuary is from the band’s album Jubilee, previously mentioned. The song uses the metaphor of bees in their hive to evoke the sweetness of love (a slight callback to Rory’s dream about swimming in honey), and mentions the queen, as if Lorelai is the “queen bee” of Stars Hollow. It is another song about love bringing safety and security: like Rory with her boyfriend Dean, Lorelai seems to be most attracted to Max as a safe place to be.
KIRK: That’s right. There’s exactly a thousand of them. The order states that there is to be exactly 1000. Not 1001, not 999, but 1000. You ask for 1000, I bring 1000. I don’t question the orders. I merely fill them.
MICHEL: Job well done, Mr. Adolf Eichmann.
(Otto) Adolf Eichmann (1906-1962) was a German Nazi lieutenant colonel, and one of the major organisers of the Holocaust. After the outbreak of World War II, Eichmann and his staff were responsible for the deportation of Jews to concentration camps. After the war, Eichmann escaped Germany, and in 1950 managed to get to Argentina with false papers.
In 1960, Israeli intelligence agents captured Eichmann and brought him to Israel to stand trial for his war crimes. He did not deny his involvement, but argued that he had simply been following orders in a totalitarian system. He was found guilty, and hanged in 1962.
This is the first time we have seen Kirk (the character named Kirk, not Mick or an anonymous swan guy) in a change of job. He began as the assistant manager of Doose’s Market, and now he is doing deliveries for the flower shop. As the flower shop is right near the market, it doesn’t seem too hard to believe that Kirk could do both jobs, but as the show progresses, the number of jobs he holds blows out to comical proportions.
MICHEL: Daisies no less. As if I would order these pitiful little things. Foul things, these daisies. And just a notch up from weeds. And look how many. I mean, there must be at least …
LORELAI: A thousand of them. A thousand yellow daisies.
(Pan around inn’s lobby, which is filled with daisies. Lorelai walks into the middle and them and looks around.)
There are clearly way more than a thousand yellow daisies in this scene, which sounds impressive but would really just be a few bunches of flowers. You can make it work by understanding it as one thousand pots of daisies, but in reality they probably just kept putting out daisies until it looked like a huge number of flowers.
Daisies can symbolise love, fertility, and the return of someone’s affections, while the yellow colour is cheerful, vibrant, and a sign of being quick-witted, rather like Lorelai herself. Daisies are sacred to the Virgin Mary, which is a callback to the Gilmore surname itself. More generally, daisies symbolise motherhood, so Lorelai’s choice of flower can be read, “Love me, but remember I am a mother first”.
The name daisy literally means “day’s eye”, and daisies can symbolise the marking of time, and the progress of the sun throughout the day and the year. This makes it the perfect flower for Gilmore Girls, a show which is all about time.
This 2000 love song by PJ Harvey plays after Rory tells Dean that she loves him, and while she kisses him. The song begins, “Do you remember the first kiss?”, and goes on to say, “You never left my mind”, as if this describes what Rory has been thinking all this time. The song is one about needing to feel safe, and this security is what Rory seems to have most missed from her relationship with Dean.
One Line is is the fourth track from Harvey’s album Stories from the City, Stories from the Sea, generally considered one of her best works, and the winner of the 2001 Mercury Prize. PJ Harvey was the first female solo artist to win the award, and is the only artist to have to won it twice.
PJ Harvey was in Washington DC on September 11 2001, while still on tour with U2, and watched the terrorist attacks on the Pentagon from her hotel window on the same day she was informed she had won the Mercury Prize for Stories from the City, Stories from the Sea. She naturally found it a very surreal day.