Dean Shouts at Rory, and Paris Intervenes

Despite being explicitly told that Rory wanted to be alone and undisturbed tonight, Dean comes over uninvited with some ice cream for them to share. He does his usual stalker-y routine of not phoning until he is actually on the doorstep and can’t be got rid of. This is the boy who can happily call Rory a minimum of four times a night, but suddenly phoning ahead of time is too much of a drag for him.

When Dean discovers that Jess is at the house, he completely loses it, no doubt thinking that Rory kept him away so she could spend time alone with Jess. The fact that Paris is there too, and Rory was never alone with Jess for a minute doesn’t seem to register with him. He looms over Rory in an intimidating way and shouts at her when she tries to explain, until she says, “Stop yelling!”.

Paris overhears their argument and comes to the rescue. Unfortunately, she doesn’t do so by taking Dean to pieces, and giving him a short sharp lesson in how to treat women, or even asking Rory if she really feels safe with Dean.

Instead she lies, pretending that she had a crush on Jess, and asked Rory to help her spend time with him. Like Lorelai, Paris finds Dean scary enough in a temper that she thinks it’s better to lie to him to calm him down. Yep, Angry Dean even frightens Paris.

Even more unfortunately, Paris doesn’t have enough experience to tell Rory that her boyfriend’s treatment of her is not okay. At least Dean has the sense to walk away in order to cool off, but the fact that he obviously doesn’t trust Rory is something he needs to think about.

West Side Story

JESS: Okay, I’m going. Look, man, I really was just dropping off some food, so don’t get all West Side Story on me, okay? [leaves]

West Side Story, previously discussed.

Jess refers to the gang rivalry between two Upper West Side gangs of New York, the Jets (white Americans) and the Sharks (Puerto Ricans). Maria, played by Natalie Wood, is a Puerto Rican girl who has come to New York for an arranged marriage with a man named Chino she does not love. She is drawn to Tony, played by Richard Beymer, a former member of the Jets.

Jess is taunting Dean by hinting that Rory no longer loves him, and like Maria, has fallen for a boy who is off-limits to her. In the film, Chino comes after Tony with a gun during a rumble, and shoots him dead. This is another suggestion that Jess is expecting Dean to become violent with him in order to keep him away from Rory.

Frankenstein

JESS: You’re doing that towering over me thing. Huh. I tell you, you’ve really got that down. It helps that you’re twelve feet tall, but this Frankenstein scowl really adds to the whole …

Frankenstein, previously discussed.

Jess makes a common error by speaking as if the monster in the film is named Frankenstein – Dr. Victor Frankenstein is the name of the scientist who creates the monster; the monster himself has no name, and is referred to as “Frankenstein’s monster”. In the 1931 film, he is played by Boris Karloff.

Rory, Jess, and Paris Have Dinner Together

This episode is a fan favourite, with many enjoying the chance to to see Rory actually hang out with some friends the same age. Most stories have Rory and Paris interacting at Chilton, and this is a rare time that they get to be in Stars Hollow, in Rory’s world. Paris is able to relax and have a good time away from the stress and competition of school.

Paris actually likes matching wits with Jess and talking about literature with him. She’s someone who doesn’t suffer fools gladly, and doesn’t respect people who are easily browbeaten, so for her to enjoy Jess’ company is significant. It seems as if Rory has found a guy who gets along well with at least one of her friends. Unfortunately, we are never again treated to a scene of these three hanging out and having a good time together. What a shame!

“I can’t get into poetry”

JESS: I can’t get into poetry. It’s kind of like, geez, just say it already, we’re dying here.

Jess has actually read Allen Ginsberg’s poem Howl more than forty times, so this “I’m too butch for poetry” is nothing but posturing. Maybe he’s trying provoke Rory into saying something, which would reveal to an outsider how they formed an intimate bond over her poetry book. If so, it doesn’t work.

Jane Austen

PARIS: Typical guy response. Worship Kerouac and Bukowski, God forbid you’d pick up anything by Jane Austen.

JESS: Hey, I’ve read Jane Austen … and I think she would’ve liked Bukowski.

Jane Austen (1775-1817), English novelist, previously mentioned as the author of Emma, amongst others.

As previously hinted at, Jess has read some of the English Literature classics, as well as American counter-culture icons. Unlike Dean, he wouldn’t have needed prodding to read Jane Austen.

But in what possible universe would Jane Austen have liked Charles Bukowski, as either a person or a writer? She lived in an era when it was deeply shocking, even violating, for a man to address a woman without an introduction – how would she have coped with Bukowski’s vivid description of his own penis and his offer of it to a female friend, with instructions as to its use?

Jess is saying that a nice, genteel girl like Rory can still appreciate a crude but intelligent bad boy like himself. Rory and Jess? For sure. Jane Austen and Bukowski? Not a chance.

National Enquirer

PARIS: [The Beats] believed in drugs, booze, and petty crime … That was not great writing. That was the National Enquirer of the fifties.

National Enquirer, tabloid newspaper founded in New York in 1926, known for its sensationalist reporting and flimsy journalistic ethics.

The National Enquirer already existed in the 1950s, so I’m not sure how The Beats are “the National Enquirer of the 1950s”. Surely the National Enquirer was the National Enquirer of the 1950s? For a supposedly smart character, Paris says some remarkably silly and ignorant things.

Kerouac and The Beats

PARIS: A tragic waste of paper.

JESS: I can’t believe you just said that.

PARIS: Well, it’s true, The Beats’ writing was completely self-indulgent. I have one word for Jack Kerouac – edit.

Jack Kerouac, previously discussed.

There is a myth that his novel On the Road was typed on one long free-form written scroll, without any editing. In fact, the experiences which inspired the novel were first written in a series of notebooks, and the early drafts were worked on for several years.

Dissatisfied with his progress, and impressed by a rambling 10 000-word missive from his pal (and muse) Neal Cassady, Kerouac then decided to write the novel as if it was a letter to a friend, with all the improvisational fluidity of jazz. The first draft was typed up in three weeks on a continuous 120-foot roll of tracing paper that he cut and taped together, single-spaced, and with no paragraph breaks.

In the following years, Kerouac continued to revise this manuscript, and the final published version was considerably shorter, with fictional names given to the real people he wrote about. In 2007, a slightly edited version of the original scroll was published, retaining the real names.

The original scroll was bought in 2001 for $2.43 million by American businessman Jim Irsay, and has been exhibited at various times in museums and libraries in the US, UK, Ireland, and France.

Paris’ comment is reminiscent of Truman Capote’s withering statement about Kerouac, and his supposed lack of editing: “That’s not writing. That’s typing”.

Casino

LORELAI: Ah, I just love the idea of shrimp cocktail with a steak dinner, you know? It’s so Casino – ‘Big Joe, steak and shrimp’.

Casino is a 1995 epic crime film, directed by Martin Scorsese, and based on the 1995 non-fiction book, Casino: Love and Honor in Las Vegas by Nicholas Pileggi, who also wrote the screenplay. It stars Robert De Niro as Sam “Ace” Rothstein, a gambling expert handicapper who is asked to oversee the casino and hotel operations at the fictional Tangiers Casino in Las Vegas. It is the eighth film collaboration between Scorsese and De Niro.

The main characters are based on real people: Sam “Ace” Rothstein is inspired by Frank “Lefty” Rosenthal who ran several casinos in Las Vegas for the crime syndicate the Chicago Outfit from the early 1970s until 1981. Casino was a worldwide box office success, and received mostly positive reviews.

Shrimp Cocktail

LORELAI: Ah, I just love the idea of shrimp cocktail with a steak dinner, you know?

Shrimp cocktail is the American term for prawn cocktail, a dish consisting of shelled, cooked prawns in a cocktail sauce, served in a glass. In the US, a cocktail sauce is made with ketchup and horseradish, sometimes with chilli sauce, slightly different to the Commonwealth version of mayonnaise and tomato sauce with Worcestershire sauce and lemon juice. Shrimp cocktail was very fashionable from the 1960s to the 1980s, and is now seen as a bit kitschy. Shrimp cocktail with a steak dinner remains a classic.