The Crystal Lake

This 2000 song by indie rock band Grandaddy plays in the background while Rory and Tristan talk in the piano room, and eventually kiss. The song was a single from their album The Sophtware Slump, previously discussed, and went to #38 in the UK.

The Crystal Lake is about someone who leaves a small town full of hopes for the future, but is disillusioned by city life. In the same way, Rory thought that by getting out of Stars Hollow for the night she could run away from her problems, only to discover that the party in Hartford only brought her problems into sharper relief. The song makes specific reference to the emptiness of parties, and this one has left Rory feeling worse than ever.

Garden weasel

LANE: Because you just broke up. I mean I’d be perfectly fine to just hang out here and listen to music and talk, not talk, whatever.
RORY: No, I am not hanging out. We are going to this party. It’s gonna be great. I don’t want to dwell on this. That’s final.
LORELAI: [entering room] Don’t argue with her or you’ll find yourself the proud owner of three garden weasels.

A garden weasel is a multi-purpose gardening tool which allows you to cultivate, loosen, and aerate the soil, while also being used as a weeder. It was invented in 1974 in Germany.

Just as being sad over a breakup made Lorelai uncharacteristically interested in cooking, it seems to have made Rory very interested in gardening, which is out of character for her.

“We just broke up”

Lorelai returns home with her lovelorn depression all the deeper after the evening’s events. She was set up with a boring man by her mother, who, when challenged, pointed out that Lorelai has had never had a relationship last as long as three months. If she hoped to find comfort with Luke, even the comfort of friendship, she also witnessed him reuniting with his long-lost ex-girlfriend Rachel, leaving Lorelai on the outer.

Lorelai picks up the phone and calls Max, only to get through to his answering machine. Before she can leave a message, Rory comes home and says “We just broke up”, so that Lorelai must comfort her daughter, whose night was even worse than hers.

We never witness the break up between Rory and Dean, so we don’t know what happened after he said he would drive her home. We don’t know who broke up with whom, or if they really broke up at all. Perhaps Rory is so inexperienced at relationships that she automatically thinks a bad fight means you have broken up, even if nobody says anything. (Maybe Dean thinks that too).

At the very least, we know the relationship between Rory and Dean has gone sour, and that the two of them have missed all the clues that they aren’t really suited to each other that the audience has been picking up on for months.

We also see a different side to Dean that has been hinted at in the past but has now become obvious: when he feels that Rory is not giving him what he is due in the relationship, he becomes angry and sulky, and refuses to listen to her. Unfortunately, it sets up a dynamic where Rory pleads with Dean, and tries to placate him, in a way which suggests she is frightened of his temper.

We saw a little of it in the Donna Reed incident, and now we see it full-blown. Despite the break-up, we will see more of it throughout their relationship. More than anything else, it is probably this unhealthy pattern of behaviour which convinces most viewers that Dean is not right for Rory.

Lorelai’s Escape

Pretending that she has to go to the toilet, Lorelai sneaks upstairs and begins making her escape through the window when Richard comes in, looking for her on Emily’s instructions. Poor Lorelai can’t even go to the toilet without her mother sending a search party to find her, although in this case Emily’s instincts were actually correct.

It looks bad, because to Richard and Emily, teenage Lorelai sneaking out the window was Lorelai going to meet boys, get drunk, get into trouble, and basically ruin her life. There’s an acknowledgement, even from Lorelai herself, that on some level she hasn’t really grown up. She can’t have an adult conversation with her parents, or make up a believable excuse to leave early – her immediate response is to revert to her teenage self, and sneak out without thinking about it too much.

To his credit, Richard listens to everything Lorelai has to say, and simply calls out to Emily that he couldn’t find Lorelai. They don’t have a close relationship, and have recently argued, but they do share one thing: a great dislike of the odious Chase Bradford. Richard cannot escape himself, but he at least allows Lorelai to, and for that she must feel a genuine gratitude.

“Isn’t life funny?”

EMILY: Chase, I’m simply fascinated about your work situation. Tell us how you wound up back here at home. I mean, you move away to make your fortune and you end up right back here. Isn’t life funny?
LORELAI: Hilarious.
RICHARD: It’s a comedy for the masses.

Lorelai and Richard both make almost the same snarky comment in response to Emily. You can see that despite their past differences, they are really bonding over despising Chase.

Bambi

DEAN: Well, you eat cute.
RORY: I do not eat cute. No one eats cute. Bambi maybe, but he’s a cartoon.

Bambi is a 1942 animated film produced by Walt Disney, and based on the 1923 children’s book Bambi, a Life in the Woods by Austrian author Felix Salten. Bambi is a deer, and the film shows him growing up from a newborn fawn to being the Great Prince of the Forest. As a fawn, he does indeed eat in a cute way. Although harshly reviewed by critics at the time, Bambi is now regarded as a classic and one of the best animated films of all time.

This is the second time in the episode that Rory has been compared to a Disney cartoon animal.

“I miss Max”

LORELAI: I don’t know. It’s just all this love in the air, you know. I miss Max. There’s just been so much going on with your Dad coming home, and family stuff, and your constant existence …
RORY: Thanks for the love.
LORELAI: Any time. So I haven’t had a lot of time to focus on it, and I miss Max.
RORY: I know.
LORELAI: I had a dream about him the other night.
RORY: Really? Dirty?
LORELAI: No, absolutely not. And when you’re 21, I’ll tell you the real answer. Anyway, it’s put me in a funk since then.

Here Lorelai finally admits to Rory that she misses Max, and that is the reason for her depression. Lorelai’s dreams often help reveal her true feelings, and in this case it was a dream about Max that brought her to her current miserable state.

Rachel

Right in the middle of a festival devoted to love, and lovers coming to find each other, Luke’s ex-girlfriend Rachel (Lisa Ann Hadley) unexpectedly appears on a whim, as if the stars over Stars Hollow were leading her back. It’s really quite a coincidence, as Lorelai only recently found out that Rachel existed, and then here she is.

Rachel suddenly turning up is another falling star on Lorelai’s romantic hopes. Any thought that she could find comfort with Luke is now gone, as his threateningly cool ex-girlfriend is back in his life. Lorelai is running out of options for an easy fix to her woes.

It’s a matter of opinion whether Rachel is “an Elle MacPherson kind of pretty” or not. She certainly looks more like Elle MacPherson than Catherine Zeta-Jones or Michelle Pfeiffer, but to me she’s really more of a “Lorelai Gilmore kind of pretty”.

Falling Star

While Lorelai is walking grumpily through the preparations for the Founder’s Firelight Festival, a papier mache star accidentally falls right in front of her, almost hitting her. It’s an apparent sign that the stars above don’t approve of her love-lorn depression which is out of step with the festival and the community, or else they are trying to send her a very strong signal to do something about it. Maybe both.